venerdì 3 dicembre 2010

Once Upon a Time in House Music "Frankie Knuckles"

Frank Warren Knuckles Jr


Frankie Knuckles (born January 18, 1955, New York) is an American DJ, record producer and remix artist. He played an important role in developing house music (an electronic, disco-influenced dance music) as a Chicago DJ in the 1980s and he helped to popularize house music in the 1990s, with his work as a producer and remixer. In 2005, Knuckles was inducted into the Dance Music Hall of Fame for his achievements as a DJ.

 Career:
1970s-1980s

While studying textile design at FIT in Manhattan, Knuckles began working as a DJ, playing soul, disco and R&B at The Continental Baths with fellow DJ Larry Levan.[1]  When he became better known, he DJed at the club Better Days. When the Warehouse club opened in Chicago in 1977, he was invited to play on a regular basis. He continued DJing there until 1982, when he started his own club, The Power Plant. It is possible that the term 'House Music' surfaced in reference to the sounds played at the Warehouse by Frankie. Initially it was a catch-all term to describe the wide range of music being played at the Warehouse. It soon became the word used to define the raw, drum machine based edits and tracks that Frankie was playing in the early 80s. Incidentally Frankie bought his first drum machine from a young Derrick May who regularly made the trip from Detroit to see Frankie at the Warehouse and fellow pioneer Ron Hardy at the Music Box.

Knuckles also had a musical partnership with Jamie Principle, and helped put "Your Love" and "Baby Wants to Ride" out on vinyl after these tunes had been regulars on his reel-to-reel player at the Warehouse for a year.

As house music gained momentum, pioneering producer Chip E. took Knuckles under his tutelage and produced Knuckle's first recording, "You Can't Hide", featuring vocalist Ricky Dillard. Then came more production work, including Jamie Principle's "Baby Wants to Ride", and later "Tears" with Robert Owens (of Fingers, Inc.) and (Knuckles' protege and future Def Mix associate) Satoshi Tomiie.

When business difficulties caused the Warehouse to fold, he moved back to New York, and was the featured resident DJ at The World, and also had numerous subsequent residencies, including at The Choice club.




In New York, he immersed himself in producing, remixing and recording.

1990s-2000s

Knuckles did a number of popular Def Classic Mixes with John Poppo as sound engineer. Knuckles partnered with David Morales on Def Mix Productions, and both men's mixing styles became very similar for a period in the early 1990s as they honed the formula for a "Def Classic Mix" sound. With several important original productions and remixes to his name, by the early 1990s, Knuckles was becoming a well-known name in the increasingly popular house music genre.

In 1991 he released his biggest hit to date, "The Whistle Song" which bears a slight similarity to Van McCoy's "The Hustle" in its whistle-like refrain. The Def Classic Mix of "Change" by Lisa Stansfield done around this period also features the whistle like motif. Knuckles' debut album - Beyond the Mix, released on Virgin Records also contained "Rain Falls" and featured vocals from Lisa Michaelis. Key remixes from this time include his rework of the Electribe 101 anthem "Talking With Myself" and "Where Love Lives" by Alison Limerick.






As his productions and remixes were becoming more popular, and he was also breaking new ground. When Junior Vasquez took a sabbatical from Manhattan's The Sound Factory, he took over and launched a successful run as resident DJ until Vasquez made his return, at which point Knuckles became the resident DJ at The Sound Factory Bar. Knuckles remained part of the underground scene. In 1992, Billboard's Larry Flick commented "He's probably the best dance music producer we have in America. He understands the groove, but he understands songs, and the whole picture." Knuckles won the 1997 Grammy Award for Remixer of the Year, Non-Classical.




Knuckles continued to work as a remixer through the 90s and into the next decade, reworking tracks from Michael Jackson, Luther Vandross, Diana Ross, Eternal and Toni Braxton. He released several new singles, including "Keep On Movin'" and a re-issue of an earlier hit "Bac N Da Day" with Definity Records. In 2004, he released a thirteen track album of original material - his first in over a decade, entitled A New Reality, which was critically well received. In October 2004 "Your Love" appeared in the popular videogame Grand Theft Auto: San Andreas, playing on house music radio station, SF-UR. On 19 September 2005, Knuckles was inducted into the Dance Music Hall of Fame for his outstanding achievement as a DJ. Knuckles is featured in the 2006 documentary film, "The UnUsual Suspects - Once Upon a Time in House Music" by Chip E. and the 2005 documentary film, "Maestro" by Josell Ramos.

Frankie Knuckles on Larry Levan "Maestro"


mercoledì 1 dicembre 2010

Mutant disco #64 - 27.11.2010. (Free Set Download + Play List)

   Mutant disco #64 - 27.11.2010. by Mutant disco

Radio show Mutant disco.
It airs every saturday from 9-11 pm on Elektrana radio (Exit festivals radio station).
http://radio.elektrana.net

Previous radio shows and playlists can be downloaded at Elektrana radio under on-demand in 128 kbps.

Playlist Mutant disco #64 - 27.11.2010.
01. Mandre - Solar flight (opus I) (12" mix) (Rush hour)
02. Solid state presents Dry ice - If U love (All out war promo)
03. En passant - Love at the disco (Discrumental) (Ferrispark)
04. Munk - Violent love (The Twelves remix) (Gomma dance tracks)
05. Michael J. Collins - All alone even by your side (original mix) (My favorite robot)
06. Eelke Kleijn - Nu gaat het los (Manual music)
07. Marlow - I don't care about anything (being with you)(Room with a view)
08. Ooft - Just come to me (Dana Bergquist remix)(Brown eyed boyz rec.)
09. Matthew Dear - You put a smell on me (Nicolas Jaar remix) (Ghostly international)
10. Nakion - Jesu Sufo (Hannulelauri remix) (Tigersushi)
11. Ju.N - Chocolate thoughts (demo) (CD-R)
12. Trap avoid - Elevator (Populette remix) (Dither down)
13. NYC sound - Space sounds international (synthdub) (NYC sound)
14. Beatfanatic - Going out (Soundscape)
15. Sugar & Candy - I like the music (Mike Burns snap, crackle & dub edit) (CD-R)
16. Clarence - Feel it (Clarence edit) (CD-R)
17. Basso - Cycles (Black disco)
18. Slick - Space bass (Fantasy WMOT records)
19. Boys town gang - Disco kicks (Alkalino remake) (CD-R)
20. Bottin & Ropie - Theme from St. Mark 30124 (Music control italo)
21. Malindi space base - Problems (Ilya Santana remix) (Mad on the moon promo)

lunedì 29 novembre 2010

While You're Away I Wait, To Crumble In Your Arms by: "OOAH "

   While You're Away I Wait, To Crumble In Your Arms by OOAH

OOAH   The Glitch Mob, Los Angeles, United States

Honey Sugar by "Matthew Kyle"

   Honey Sugar by M.K.

New York City, United States

Joey Negro & The Sunburst Band - Rough Times Remixes - Traxsource.com

Rough Times 
RemixesThe classic Sunburst Band tracks gets new mixes from Sean McCabe
The Sunburst Band's 'Rough Times' has been one of the most enduringly popular vocal tracks on the house scene over the last few years.
Of course this is partly because it’s a fantastic song, written by no other than Ashford and Simpson, one of the greatest song writing teams of all time. Unfortunately the lyrics are just as pertinent now as when the track was released in 2008, right at the beginning to the economic downturn.
Sean McCabe has done a fantastic job of reinterpreting this anthem giving it a new lease of life. Firstly his Club Mix gives the track an old MAW feel, whereas the Nu Disco Mix is reminiscent of the Joey Negro version of 'Backfired', while his Real Deal Dub is pure timeless up-tempo garage and sure to get played for many years to come.

DJ Reactions:
Danny Rampling - Excellent track filled with soulful vibes, love it
DJ Spen - My Favorite up and coming remixer does it again!!!! Great job
DJ Spinna - The Sean McCabe Club Mix takes the cake!
Jask - Very classy !!!
Seamus Haji - Takes me back to the mid 90's! Quality all round! All mixes are very useful for my more soulful moments
Danny Krivit - Excellent! :)
Tony Humphries - Great new mixes for this timeless song!
StoneBridge - OMG, this is amazing - love the vibe and production of this mix!
Graeme Park - Rough, rough, ROUGH!
DJ Meme - Sean McCabe never lets me down. It's hard to pick one version only
CJ Mackintosh - Great Mixes...Love it. Playing! :)
Terry Hunter - Just in time for the weekend HOT!!! Will rock the crowd for sure this weekend
Robert Owens - All mixes are great
Yass - Amazing crazy old school vibe... Really dig it!!! Thanks
Louis Benedetti - Nice package. My pick is the real Dub!. Thanks!!
Pete Gooding - Oh yeah some good old fashioned proper house music, I mean that in a good way by the way, nice song also, will support!!!
Richard Earnshaw – Quality
Glenn Underground - All mixes are very hot. This is a pure heater from Mr Lee aka J Negro
Victor Simonelli - Yes. Lifting me ! The way it should be done. Keep it here ! Will Rock this at every gig !
Andy Ward - Yeah, winner winner chicken dinner. Great remix !
Oli Lazarus – Very cool set of remixes
Freemasons – Great song, love it
John Jones (Hed Kandi) - House music sounding exactly how it should do. Absolutely spot on
Brothers Vibe - Love it - full support!
Matthias Weber (Syke'n'Sugarstarr) – Perfect as always
Mannix - Big big big!!! Love em!
Rocco - So nice soulful mixes !! Its fresh, we miss that quality of music!
Groove Assassin - Sick mixes from Sean McCabe... Loving all these mixes ..full suppport !
Dr Bob Jones - Sean does a superb job with this TUUUNE! Full support on this - no probs- lovin this big time
Roog - Wow wow wow, great song, great mix… Full support!
Lewis Dene - Another polished production
Copyright - Old skool baby........very cool......thank you
Shur-i-kan - Very nice stuff - not rough at all :)
Bobby & Steve - Yeah baby, Sean turns it out again, full support
The Layabouts - Love all mixes, Sean McCabe rocking this vocal
ATFC – Quality stuff
Clemy Riley - Another biggy from my youth....nice reworking from my man Sean
Kiko Navarro - Pure class!
Marlon D – Pure class
Mark Doyle - Always been a great track and another great mix !
Gareth Sommerville - Love the Nu disco mix, but really digging the Real Deal Dub. It harks back to one of my favourite eras for house music
Sarah Favouritizm - The future of house lays in McCabe's hands! Good work fella!
The Sunburst Band - Fashion (Joey Negro Club Mix) ZR Records 2008




  

Joey Negro & The Sunburst Band - Rough Times Remixes - Traxsource.com - Download Underground House and Electronic Music in WAV and MP3 format






Booka Shade+Best of Get Physical Chart


From their beginnings as a trancey house duo to their more mature post-millennial work that incorporated pop, ambient, techno, and funk influences, Frankfurt, Germany, duo Booka Shade maintained an elegance of style that owed little to whatever current dance music trends were on the scene. However, before they were Booka Shade, Arno Merziger and Walter Kammermeier had an early-'90s synth pop duo called Planet Claire, which in the tradition of Underworld and Ministry mutated into something very different after their early direction petered out following two mildly successful albums. Abandoning dance-pop in favor of heavier club beats and trance electronics, Merziger and Kammermeier changed the name of their project to Booka Shade, debuting with the 1995 single "Kind of Good." After several years of releasing singles on various American and European labels, Merziger and Kammermeier started their own imprint, Get Physical, in 2001. The original intent behind the Get Physical label was that Booka Shade would be the shadowy producers, writers, and remixers behind other artists, but in 2004, Booka Shade released their first proper album as artists, Memento. Following two more club hits in 2005, "Mandarine Girl" and "Body Language," Booka Shade released their second album, Movements, in 2006. It was followed by DJ-Kicks in 2007 and a pair of additional production albums for GP, The Sun & the Neon Light (2008) and More! (2010). Throughout their career as performing artists, Booka Shade maintained a separate line in high-profile remixes, including work ranging from Yello and Depeche Mode to Moby and the Knife.

 
Booka Shade - Kind Of Good
Label:Touché
Catalog#:TOU 9516
Format:Vinyl, 12"

Country:Netherlands
Released:1995
Genre:Electronic
Style:House, Techno

Producer - Booka Shade
Written-By - Arno Kammermeier , Walter Merziger
                                                                           "My First BOOKA release!"

 



Booka Shade "Best of Get Physical Chart"
Style:Minimal/Tech-house/Deep-house/
Date: 2010.08.13
Tracklist :
01. M.A.N.D.Y. – Put put put ( Original Mix)
02. DJ T. vs. Booka shade – Played runner (Original Mix)
03. Booka shade – Charlotte (Dubfire remix)
04. M.A.N.D.Y. – Sunsetpeople (Es vedra mix)
06. Tiger stripes – Survivor (Original Mix)
07. Chelonis R. Jones – Deer In The Headlights (Radioslave remix)
08. Siopis feat. Mr. Brean – Penny from the lane (Original Mix)
09. Chelonis R. Jones – Middle finger music
10. Patrice Baumel – Javelin (Original Mix)

DJ T. vs. Booka Shade 
Played Runner released on 19 Jun 2006 by Get Physical Music.

domenica 28 novembre 2010

The Syncopate Gentleman Mr. "LOUIE AUSTEN"

LOUIE AUSTEN 

53 years old, had already led an eventful life in various parts of the world and could look back on an equally eventful performing career. After immigrating to South Africa and Australia he had performed in clubs and on stages in New York, Pittsburgh and Las Vegas during the 70s. After his return to Vienna, the crooner entertained the guests at the Klimt-Bar of the Vienna Hilton before he took over the entire entertainment for the Marriott Hotel. A safe job and well paid, too. Additionally, Austen wrote and produced shows like “Viva Las Vegas“ or “American Superstars“, played parts in several movies and toured both Europe and the USA with show programmes.

Yet Austen is intrigued by the electronic beats and sounds of the young generation. When the first album “Consequences“ (1999) is well received in the club scene and the first concerts turn out promising, Louie makes a courageous decision. “I decided there and then to resign from all other jobs and to completely dedicate myself to this new project for a period of two years“, he recalls. “I reflected that, if I’d find myself in the street after those two years, I’d have to go back to my old jobs. But I wanted to try out this new direction under all circumstances – I simply had to.“ 

Part of Louie Austen’s appeal lies in the fact that he has not entirely discarded the entertainer in this metamorphosis. He brought many things along for the ride, and his know-how of how to entertain with verve and how to put on a great show, his charm and charisma, the style & vocabulary of the urbane entertainer he had cultivated so long serve him equally well in the electronic underground. He is a mediator who mixes various genres, some of which were previously regarded as incompatible. For several years now he has managed to resolve alleged contradictions and break down prejudices – jazz and dance beats, advanced age and youth culture, smart style and underground. “In a way I stand for a kind of reconciliation“, he describes his unique position, “a bridge between old and new or between young and old.“